There's deceivers an' believers an' old in-betweeners,
That seem to have no place to go.
- Willie Nelson, "Hands on the Wheel"
My bias has been to think of the satellites that orbit our planet in military and commercial terms only, but the below photo and blurb from io9.com gives us a positive side of big brother. It also poses a few dicey questions - the kind you get when philosophy and practicality collide head-on.
This is what a mass evacuation from a city looks like from space. Using satellites orbiting over Africa, human rights groups published UNOSAT satellite imagery to show, in very simple terms, the human cost of violence in the Chadian capital city of N'Djamena. Over 10,000 people are crammed on a bridge, trying to escape into the neighboring nation of Cameroon. The black dots are people, and the yellow dashes are vehicles, most likely trucks and buses. It's a chilling portrait of the human future, wracked with violence and recorded via space-based surveillance devices, taken on February 27.The degree to which our activities can be (and often are) unnecessarily tracked by the state in all its forms - not to mention corporations who have even less real accountability - has made me deeply uncomfortable for years.
And so it's nice I suppose to see satellite imagery being used for more altruistic purposes. Park an orbital camera over the evil men who think they are far removed from prying eyes. Maintain a perspective on what's really going on in a hot spot long after your assets in the region have been reduced to a skeleton crew of diplomats, spooks and marine embassy guards.
Technology is generally supposed to make things easier, and I wonder if those of us with the greatest exposure to it don't consequently allow ourselves to sometimes fall asleep behind the wheel of the large morality automobile. How often in this world is the "right" thing done out of fear of being tripped up by a camera or database rather than because it's simply the "right" thing? How would you even begin to guess the percentages on that?
Their value as tools cannot be denied or understated, but when satellites function as U.N. observers, do we allow them to excuse us from a more rigorous and preemptive brand of diplomacy? I wonder sometimes.
How can you even fully trust any electronic image anymore? You can't of course. What about the entity that obtained the image - or possibly even tweaked or fabricated it - and then deliberately released it along with a prepackaged blurb of interpretation and a side of fries? Can you believe them? I dunno, but I'm willing to bet a round of drinks that the answer is "sometimes, but not as much as we'd like."
And that, ladies and gentlemen, is why trust will never go out of style. Why trust will never be made obsolete by the technology of today or tomorrow. Why the profoundly organic virtue of trust is as important today as it's ever been, made even more so by technology - not less.
We're drowning is a flood of digitally transmitted words and pictures. If we're as sharp and savvy as we aspire to be, then we already have the tools to interpret the raw data and arrive at presumably intelligent conclusions. Or at least put ourselves in a position to ask some probing and meaningful follow-up questions. But how do we know the raw data is valid unless we've directly observed it? "Are these figures accurate?" "Are these photos real?"
Fact is that we don't know, so we have to defer to the people are on the ground. We have to rely on the independent corroboration of our fellow human beings. We have to rely on people we can trust. A tough gig on a planet with more than 6.7 billion points of view, but you gotta start somewhere.
If this post has a frayed end or two, it's because I'm still mulling some of this over. There's once thing I can assure you of though, and that is if you're reading this then you're someone Bronco Billy trusts.* And I don't trust just anybody.
Sleep well, good citizens!
* The execption being Zed when he's liquored up on that low-grade thermonuclear hooch he brews in his basement. The man's a veritable loose cannon in that state. Or loose boomerang. Whatever.
11 comments:
And how exactly do you know what I brew in my basement? Hmmmm ...
The satellites told me.
Oh, and here I was thinking you were talking about this: We find the beer. You drink the beer.
But, seriously. Isn't this just another sign of the New World Order? How do we find dignity, build a robust sense of self, under this new regime?
As Sennett suggests, technology is just another agent for the "spectre of uselessness". When we know The Man is always watching, we not only fear fear itself. We become that fear.
ahhhh. I had a dream last night that you guys were swapping blog handles. You kept e-mailing me:
"You know, I'M Zed"
"You know, I'm really Bronco Billy"
"YOu KnOw, U keep calling me the wrong name"
I could hear you guys giggling behind the computer screen! Aaaaahhhhhhhh!
nice monster!
Oh, yah. Bethany Springer is doing a new "Flyover Territory" (its art; damnit!) you can see some of it at her website: http://bethanyspringer.com in the video section.
Ok. Zed, Bronco B. StoP MESSIN WIth ME!!
Custom Adornments is Me!
is me? You talkin' to me? is it me?
hee hee hee hee hee
Damnit! I don't know if I'm talking to you or to YOU or 2U! aaaaaaaarrrrrrrrr (nice monster - did I mention that?)
So I went ahead and read me some Sennett.
Shit. He's probably right you know.
People working in the fine arts with better long-term job security than those with more technical (and consequently short-term) skill sets? Who have thunk it? Of course comparative earnings and the ability and willingness to rapidly learn new skills/trades kinda evens it our for most folks, but you get my meaning.
How are we to find meaningful work in a culture that by and large does not attach a dollar value to meaning? I dunno, man. I just hide out in the halls of this venerable institution and scarf as much leftover food from the receptions, guest speakers and open houses as I can.
Oh, and Miss Me:
Verily Zed and I are not constrained by conventional notions of identity or corporeal form. Sometimes we're one, sometimes we're the other. And sometimes we're that faint and chiding voice that's tappity-tap-tappin' in the the back of your noggin' going, "Did you remember to turn the oven off? Did you? Did you really?"
My oven is verily electric so... it just costs me a lot if I leave it on - not that I'm actually making any money in the arts...
existential so and so's! ;}
Are those grandma's bloomers I spy on the line?
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